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Color Correction for Tone, Light, and Balance

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Adjusting light and color in a photo without changing its size

Adjust brightness, contrast, saturation, exposure and white balance while inspecting the photo preview. Use highlights and shadows to work on light and dark areas separately, and temperature or tint to correct a color cast. Start with small changes to avoid clipped highlights or unnatural skin tones. These controls change the image’s appearance without changing its dimensions.

Cost: Free to use. File size and usage limits apply.

How to adjust the colors of an image

  1. Upload or pick an image

    Click Upload or drop a JPG, PNG, WebP, GIF, BMP, ICO, TIFF, TGA, AVIF, HEIC or HEIF file of up to 200 MB. Images you uploaded or created in other image tools are already listed under Files. One image is processed per job.

  2. Move the sliders

    All 13 controls sit in the Adjust panel and start at neutral: 0, and 1.0 for Gamma. The preview updates as you drag, so you can see each change right away. Reset puts everything back to neutral.

  3. Apply and compare

    Click Apply Color Adjustments!. When the job is done, the preview becomes a before/after view. Drag the divider to compare Original with the result; this view shows the real output.

  4. Fine-tune if needed

    Change the sliders and apply again. Each run processes the image you selected, not the previous result, so adjustments don't stack. Click Clear result to get the live preview back while you tweak.

  5. Download or keep editing

    Click Download to save the file. The result is also added to Files, so you can open it in Convert Image to change the format, for example.

What each slider does

The ranges below are the ones the tool uses. At 0, and at 1.0 for Gamma, a slider changes nothing.

Brightness (-100 to 100)
Adds or removes the same amount of light on every pixel. The effect is strong: +10 lifts a mid-gray by roughly 29 of 255 levels, and from about +30 upward bright areas clip to pure white. As a rule of thumb, ±5 to ±20 is enough for most photos.
Contrast (-100 to 100)
Pushes tones away from mid-gray (positive) or pulls them toward it (negative). At +50, dark areas get clearly darker and light areas lighter; -100 leaves an almost flat, washed-out image.
Saturation and Vibrance (-100 to 100)
Saturation scales the intensity of every color: -100 with Vibrance at 0 gives black and white, +100 doubles the intensity. Vibrance is the gentler option: it boosts muted colors more than colors that are already strong, so skin tones and bright areas stay natural.
Exposure (-3.0 to 3.0, steps of 0.1)
A coarser brightness control. Exposure 1.0 brightens as much as Brightness +33, so ±3.0 turns the image almost completely white or black. Values between ±0.1 and ±0.5 usually fix an under- or overexposed shot.
Highlights and Shadows (-100 to 100)
Highlights works on the bright areas of the picture: negative values bring back detail in skies and bright walls, positive values make them glow. Shadows works on the dark areas: positive values lift detail out of the shadows, negative values deepen them. Mid-tones stay largely as they are.
Whites and Blacks (-100 to 100)
These set the end points of the tonal range. Whites +100 pushes the lightest areas toward pure white, negative values dim them. Blacks -100 deepens the darkest areas toward pure black for more punch, positive values lift them for a soft, faded look.
Hue (-180° to 180°)
Rotates every color around the color wheel. Positive values turn red toward yellow and green: +120° makes red green, and ±180° swaps colors for their opposites, so red becomes teal and blue a brownish orange. Gray, black and white stay unchanged.
Temperature (-100 to 100)
Shifts the white balance. Positive values warm the picture toward yellow and orange, negative values cool it toward blue, for example to neutralize the yellow cast of indoor lighting. Gray and white areas take on the new tone as well.
Tint (-100 to 100)
The second white-balance control. Positive values add magenta, negative values add green. Use it to correct the green cast of fluorescent light or the magenta cast some phone cameras produce.
Gamma (0.1 to 3.0, default 1.0)
Bends the mid-tones while pure black and pure white stay in place. Values above 1.0 brighten the mid-tones, values below 1.0 darken them. It is the gentlest way to open up a dark photo without clipping the highlights.
Reset
Sets the twelve sliders back to 0 and Gamma back to 1.0.

Live preview and before/after view

Every slider is reflected in the live preview while you drag, so you can dial in a look before you process the file. Once you apply, the preview becomes a before/after view of the finished file, which is the best place to judge fine details.

Brightness and Exposure are strong controls: at Brightness +20, a mid-gray of 128 comes out at about 186 of 255. Keep an eye on skies and white surfaces when you raise them.

A practical order: set Exposure or Brightness first, then Contrast, then color. If the before/after view shows white skies or crushed shadows, lower the value and apply again.

Starting values for common fixes

Rules of thumb, not fixed recipes. Apply, check the before/after view and adjust from there.

Photo too dark

Exposure +0.2 to +0.5 or Brightness +5 to +15, plus Contrast +10 so the lifted image doesn't look flat.

Flat or hazy picture

Contrast +15 to +30 and Saturation +10. Blacks -30 to -50 deepens the dark tones a little further.

Colors too loud

Saturation -15 to -30. Lower Vibrance instead when you want a gentler change that leaves already muted colors largely alone.

Black and white

Saturation -100 with Vibrance at 0, then Contrast +10 to +25. For sepia, vignette or film grain looks, use Image Effects.

Warm, vintage look

Temperature +20 to +50 for warmth, with Saturation -10 so skin doesn't turn orange.

Recolor a logo or icon

Hue shifts all colors at once, which suits graphics with a few flat colors. In photos, large Hue values also change skin, sky and foliage.

Formats and limits

Input formats
JPG/JPEG, PNG, WebP, GIF, BMP, ICO, TIFF, TGA, AVIF, HEIC, HEIF
Output format
Same as the input; HEIC and HEIF are saved as PNG. Width and height stay the same.
Quality
PNG stays lossless. JPG is re-encoded at a high quality setting, WebP and AVIF at quality 92.
Animation
Animated GIF and WebP keep all frames. GIF results use a palette of up to 256 colors per frame, as the format requires.
Metadata
Once an adjustment is applied, EXIF data such as camera model, capture date and GPS location is not copied to the result.
Maximum file size
200 MB
Files per job
1
Processing
On our servers with FFmpeg; WebP, AVIF, HEIC and HEIF also pass through ImageMagick. No AI service is involved. A job can run for up to 15 minutes.
Watermark
None
Storage
Uploads and results are deleted automatically after 48 hours for guests and after 30 days for free accounts. Paid plans can keep files longer.

Frequently asked questions

Does adjusting colors reduce image quality?

PNG saves the adjusted pixels without lossy compression. A JPG is decoded and saved again at a high quality setting, which can add further loss; adjust the original instead of re-processing a result several times. Very strong settings such as Contrast +80 or Saturation +100 clip colors in any format.

Why is the adjusted file larger than the original?

The JPG output quality can be higher than the setting used for your source, making the file grow even when the picture looks similar. File size depends on the image and the new encoding. Try the result in Compress Image and compare the exported bytes if size matters.

Can it add color to a black-and-white photo?

No. Saturation, Vibrance and Hue only work on colors that already exist, so a grayscale photo stays gray; Temperature and Tint can only give the whole picture a warm, cool, green or magenta tone. AI Colorize predicts plausible colors for old black-and-white photos.

Does it keep EXIF data and the GPS location?

No. Whenever an adjustment is applied, camera details, capture date and GPS coordinates are not carried over into the new file. JPG phone photos are still saved the right way up.

Does it work with animated GIFs?

Yes. Every frame gets the same adjustment and the animation is kept. GIF allows only 256 colors, so the tool builds a new palette from the adjusted frames; strong Saturation or Hue changes can show some banding.